[Pathfinder] Wrath of the Righteous, part 23: Chapel of Kabriri

Once the team of Crusaders had recovered from their efforts to destroy the gargoyles and the penanggalen, they decided to follow their original plan to search the stable. Zosta pressed her ear against the door and reported that she heard nothing from inside. When she attempted to push the door open it didn't budge at first, but when Zosta gave it hard shove it popped open, revealing the ruined interior of the stable building. The east wall of the structure had collapsed, leaving a pile of rubble on the floor. The interior smelled of decayed straw and mildew. Rotting barrels full of fungi stood against one wall. As the group entered the building they noticed that there were weapons and equipment mingled with the fallen stones. Jiro noticed drag marks on the floor, and footprints that looked like they might have been made by gargoyles. Asami cast a spell to determine if there was anything magic inside the stable and identified several items among the litter, including a longsword and a longspear.

Meanwhile Runa began hopefully looking for something made of adamantine. Instead she found three daggers which she recognized as being made of a metal other than ordinary steel, though they were not adamantine and she couldn't determine what they were. She showed them to Zosta, who realized that they were cold iron. Asami was able to determine what enchantment the longsword held, but the longspear refused to reveal that information to her or to Jiro. The other members of the group uncovered a fine quality battleaxe which had suffered some slight damage. The quantity of weapons and other items made them realize that the items had been dumped there, but they found no sign of the people who must have carried the weapons.

There were many more weapons in the rubbish heap, but the rest were of ordinary materials and the party members couldn't carry them all. They decided to go on to the chapel itself. Before they did so Jiro reestablished the magic that allowed him to absorb a small part of any wound inflicted on his comrades. Zosta again opened the door. The group members saw that the chapel held four statues, one in each corner, which had originally been angels but were now badly damaged. Broken pews stood haphazardly in the center of the sanctuary. The stained glass windows above the doors had been smashed. At the far end was a dais, on which two creatures clad in priestly vestments stood. The walls of the chapel were covered with scrawled and carved inscriptions, which Asami and Runa realized were dedicated to the demon lord Kabriri, "He Who Gnaws", lord of ghouls. As if to emphasize this, half a dozen ghouls began to shuffle toward the entrance.

The ghouls nearer to the doorway appeared to be ordinary ghouls, but the two on the dais seemed not to be as mindless. Jiro realized that one of them was casting a spell and called out a warning that the ghoul was summoning something. He set down his lantern in preparation. While most of the ghouls were approaching the doorway, one ghoul ran out through another door to the Crusaders' left. Sosiel and Aron ran around the corner of the building to find out where the ghoul had gone.

Zosta knocked down the first ghoul within her reach. Outside the chapel, Nurah cast a spell to make herself harder to see, and Runa extended Iomedae's blessing to her companions. Irabeth stepped forward and struck one of the ghouls. The ghoul priest who was not in the midst of summoning cast a spell on himself, which Jiro identified as designed to protect him from Irabeth's aura of goodness. Then a demon appeared a short distance from the entrance, one of a type the Crusaders had seen before: a babau. A moment later the level of illumination in the desecrated chapel grew dim. A second babau appeared behind the first and immediately vanished.

Jiro encircled himself in an area of protection from evil creatures to keep the babaus from approaching. Zosta attempted to trip one of the ghouls but missed her aim due to the reduced light. Nurah screamed, and when Runa asked her what was wrong she replied that she had bumped into something, though nothing was visible. Runa moved toward that spot and swung her sword, connecting with something fleshy though she could still see nothing. Asami drew her wand and sent three missiles at the ghoul before Irabeth. A moment later Irabeth's blade sent it to true death. A weapon made of force energy appeared in the air behind Irabeth and swung at another ghoul.

Jiro's protective circle vanished after the babau made a gesture. Another ghoul approached Irabeth and clawed at her and she ceased moving, immobilized by its paralytic effect. Because she hadn't been standing squarely on both feet at the moment the paralysis took effect, she fell over. A bell began to ring an alarm from elsewhere within the chapel. A second magical weapon appeared in the same area next to Asami and attacked her. A second babau became visible beside Runa and attacked her with its spear. Asami felt herself healed by her link with Jiro. Jiro picked up his lantern and concentrated, and the lantern's perpetual light grew brighter, pushing back the dimness inside the chapel.

Sosiel and Aron had encountered a wall after rounding the corner of the chapel and had abandoned their effort to find out where the ghoul had gone, returning to the rest of the group just after the bell began to toll. Zosta pummeled a ghoul, then stepped forward and knocked a second ghoul to the ground. As Runa continued fighting the babau demon, Asami directed a trio of missiles at it, but they vanished without making contact. The weapon in the air beside her struck her again. Then a wave of negative energy surged out from one of the ghoul priests, doing her more injury. Runa felt her sword grow heavier and its magic seemed to fade. The ghoul Zosta had knocked down got to its feet again and attacked her. More negative energy filled the area and the babau attacked Runa again. The second babau appeared suddenly behind her.

Only a single ghoul was left, facing Zosta. But one of the babau struck Runa three times with great force and she collapsed. Jiro reformed his magic circle and moved toward her to heal her. Nurah cast a spell on the other babau's spear, causing it to become slippery so the demon could no longer grip it. Then she ran behind a section of courtyard wall and hid. Aron and Sosiel pulled Irabeth's immobile form out of reach of the ghouls. Moments later she recovered from paralysis and got to her feet. Asami directed more missiles at one of the babau and was struck again by the floating weapon, while the babau dispelled Jiro's magic circle again. The last ghoul bit Zosta and she fell victim to paralysis. The two babau flanked Jiro and began clawing and biting him. As he felt himself fading he dropped the link with the others. He somehow managed to avoid being immobilized but he collapsed, barely retaining enough consciousness to use his magic to heal himself.

The door that the ghoul had run through suddenly burst open again and a large white ape came tumbling through as if thrown by something else. Those who could see what was happening realized the ape was Bohgong, for they had seen the monkey assume that form before. Just after Bohgong flew threw the doorway, another creature emerged, looked around at what was happening in the chapel and exited. Only Zosta, who could still see despite her frozen state, got a good look at the creature.

Sosiel and Aron stepped in front of Asami to shield her from the demons. Sosiel attempted to dispel them as they were magically summoned but his effort failed. Runa cast a healing spell on herself. The two magical weapons both disappeared. Runa got to her feet and was immediately bitten by one of the babau. She grabbed at it and tried to grapple it but was unable to do so. Asami sent more missiles from her wand, this time at one of the ghoul priests who had moved much closer to the paralyzed Zosta. Irabeth stepped behind Zosta, picked her up and shifted her out of the way. While she did this the two demons flanked Runa and Runa collapsed a second time. One of the demons then snapped at Jiro, who was still on the ground near where Runa had fallen. Jiro created a shield of stone to protect himself, then scrambled to his feet and pulled Runa away, calling out to Aron to block the demons. Aron pushed Zosta behind him and stepped into the chapel doorway, while Sosiel channeled Shelyn's divine energy to provide healing to his companions. He could not prevent the demons from gaining the advantage of his healing as well, nor could he prevent Irabeth from being paralyzed again by the last ghoul's bite.

One of the demons struck Jiro again with its claws and he fell to the ground once more. Bohgong returned to his normal form, and though he appeared exhausted, he moved to stand behind the ghoul so he could flank it. Sosiel sent out another surge of healing energy. Asami had begun summoning a creature of her own, and when it materialized it was a glowing orb of light surrounded by greenery. One of the priests had been slain by this time, and Asami exhorted the archon to attack the second priest with its light rays, but it was unable to strike the ghoul. The mindless ghoul continued to attack Irabeth. Only Zosta could see the light of life fading from the half-orc paladin's eyes. Though he didn't know how close she was to death, Bohgong channeled some of Jiro's healing power into her. Aron then pulled her out of the ghoul's reach and Sosiel provided more healing. A succubus had appeared from behind the courtyard wall and cast a spell at the babau, but her voice was Nurah's voice. Nurah somewhat reluctantly approached Runa to cast a curative spell on her, which allowed her to move to attack the ghoul and destroy it. Asami aimed her wand at the priest again, and it fled from the chamber through the side door. The two demons had returned to their own realm, the spell that had summoned them now expired.

With all of their enemies gone, the Crusaders could heal themselves further and take stock of their situation. They searched the corpse of the dead ghoul priest, finding a suit of magical leather armor, some gold, and a flail. Jiro questioned Bohgong about what had happened beyond the side door. The monkey revealed to his master that he had been busy distracting another creature, preventing it from going to the chapel earlier. That creature had been the one that had entered the chapel and then left. The monkey had recognized that it was an abomination, a hybrid of human and a type of demon called a nabasu. When Zosta recounted what she had seen this further confirmed the creature's kind. Asami recalled everything she knew about nabasu, though this didn't tell them what a half-nabasu could do. There was no way to know if it had all the powers of a full nabasu. If it did, it could bite and claw as well as use weapons, and would be able to create darkness as the babau had. It could also transform living men into ghouls.

Following this revelation the party moved out into the courtyard to use their healing wands. Though they had no idea what other creatures might be waiting for them in the other parts of the chapel, they felt it was their duty to pursue the half-nabasu. They had realized that the rubbish heap of weapons they had found in the stable were Crusader weapons, which meant the half-nabasu was either transforming prisoners into ghouls or consuming them as food. They couldn't in good conscience leave such a creature free to cause more death.

Next: Part 24, To Cleanse the Chapel

[Pathfinder] Wrath of the Righteous, part 22: The Desecrated Chapel

Recap: The Crusader army from Kenabres had set out for the demon-controlled city of Drezen in an effort to recover the banner known as the Sword of Valor at the behest of Queen Galfrey of Mendev. On route they rescued a group of Crusader survivors and overcome a morale problem caused by a veteran who had lost his faith. After battling through various demonic enemies, they suffered a late-night infiltration by an incubus who caused many of the paladins to desert their posts and seriously wounded Asami.

Player-Characters (character level 6th, mythic tier - 1st):
Aegronius - male half-elf slayer
Asami - female elf wizard from Tian-Xia
  - Kirara - Asami's familiar, a white cat
Jiro - male human shaman from Tian-Xia
  - Bohgong/Uncle - Jiro's spirit animal, a white monkey inhabited by the spirit of Jiro's ancestor
Runa - female half-orc warpriest of Iomedae
Zosta - female human barbarian brawler

Major NPCs:
Anevia Tirabade - female human archer, spouse of Irabeth
Irabeth Tirabade - female half-orc paladin of Iomedae, spouse of Anevia
Aravashnial - male elf wizard Runewarden
Aron Kir - male human human low templar
Sosiel Vaenic - male human cleric of Shelyn 
Horgus Gwerm - male human noble from Kenabres
Nurah Dendiwhar - female halfling bard


Following the nighttime attack on the Crusaders' encampment, several members of the leadership group noticed Nurah shooting daggers with her eyes at Runa. The presence of small size footprints outside the camp had led Runa to initially assume that Nurah had somehow betrayed her companions, and Nurah was clearly unhappy about the accusation Runa had made against her.

To prevent their enemies from attacking again, Irabeth tripled the number of men on sentry duty. A group of paladins used their divine healing ability to heal the injuries suffered by their leaders, especially Asami, who had been most sorely wounded. Afterward those men were not placed on duty in order to allow them to replenish their magic with rest and prayer. The rest of the group decided it would be wisest to rest as much as they could and restore their own magic rather than leaving after dawn to continue their journey toward Drezen.

Sosiel had told them that it was possible the ruined chapel at the top of the cliff might have a hidden store of goods they could use, and once everyone was rested and replenished they decided that it would be worthwhile to visit the chapel. Irabeth and Sosiel planned not only to search for the stash Sosiel mentioned but to clear and try to re-consecrate the chapel. Aron explained that in the aftermath of the First Crusade the area around Drezen had been dotted with chapels and shrines to various gods, all of them now fallen into disrepair and demonic infestation.

The atmosphere surrounding the party when they set off in the early afternoon was still unpleasant as they made their way to the staircase carved into the cliff face. The sky overhead was dark and tinted red. Asami and Jiro both found it particularly oppressive due to their affinity for the natural world. Kirara had not even peeked her head out of Asami's pack since being returned to the camp after her unwilling nighttime excursion. The rest of the army would not accompany the group to the chapel, instead going ahead to wait for them. Only Aron, Sosiel, Irabeth, and Nurah would accompany the five companions up to the chapel. Aron led the way to the stairs, which like the chapel had fallen into disrepair due to disuse. These narrow stairs ascended 90 feet up the cliff. Before the group started to climb, Asami surrounded herself with magical armor and Jiro cast a spell that would allow him to heal some of any injury to his companions. The steps proved challenging for some of the companions, especially to Asami, who slipped once and had to be hauled up on a rope by Zosta and then carried the rest of the way up by Runa. Even having Jiro grant her the counsel of his ancestors didn't help to make the climb less arduous for her.

At the top of the cliff they found the chapel surrounded by a courtyard full of rubble from broken statues, though surprisingly the stained glass windows were still intact. A stable stood off to their left, which Runa suggested they investigate first in case any demonic creatures had taken up residence in it. Bohgong picked up a piece of bone from the ground that appeared to be of non-humanoid origin. Jiro examined it and determined that it had been gnawed by some creature within the past few days, confirming Runa's worry that something still lived in or near the chapel. Jiro readied his morningstar. As he scanned the statues that lined the eaves of the chapel, he noticed something peculiar about some of them. Five or six of them didn't appear to belong there, their iconography incorrect for the deities they portrayed. When he pointed this out to his comrades, Runa loaded her heavy crossbow and fired at one statue that Jiro pointed out as wrong. The bolt bounced off the statue, but Runa observed that the 'statue' next to it flinched.

Zosta took a few steps back, preparing to make a running leap at the chapel roof, just as three of the statues transformed into gargoyles and swooped down from the rooftop, diving toward Jiro, Runa, and Asami. The gargoyle that aimed at Asami pounced on her with its muzzle and claws, biting and slashing. Zosta redirected her leap to land on the gargoyle, grappling it with her arms and legs and bashing it with her bladed gauntlets. Asami stepped away from the gargoyle and hurled her wooden spear at it but the spear went wide. She felt Jiro's energy heal some of the wounds the gargoyle had dealt her. Irabeth stepped up to attack the gargoyle nearest to Runa, while Runa cast a strengthening spell on herself and exchanged her crossbow for her sword. Nurah began to sing an encouraging song to bolster her companions. Aron and Sosiel joined Zosta in focusing on the gargoyle that had attacked Asami. Seeing that all three of them were fighting that gargoyle, Asami turned and threw her spear at the gargoyle that threatened Jiro, though once again it couldn't penetrate the gargoyle's stony hide. Jiro re-positioned himself so that he, Irabeth, and Runa could flank the creature.

At that moment another creature flew into the area and approached Jiro. This creature was nothing like the gargoyles. Instead it presented itself as a severed head, trailing entrails behind it as it floated along. These dangling organs wrapped themselves around Jiro's neck and began attempting to force their way into his mouth! Runa immediately tried to strike this monstrosity with her sword, but it was difficult to see and when she slashed at where she thought the head was her blade met only air. While Jiro struggled with the strangling entrails, the gargoyle also attacked him. Asami drew out a wand and fired three tiny missiles of force at the head, but to her shock the monster's tongue reached out and lapped them up like tasty morsels.

The combined might of Aron, Sosiel, and Zosta had eliminated the gargoyle they fought, and they now all moved to attack the other two gargoyles. Zosta told the two men to help Asami and ran to pummel the gargoyle behind Runa. Asami directed her missiles at one of the gargoyles, while the foul monster continued forcing its disgusting appendages down Jiro's throat. He had by this time realized that this creature was not native to Mendev or the Worldwound - it was a monster more likely to be found near his homeland in Tian-Xia, a creature called a penanggalen that would attempt to take control of his body if it could. But with its entrails in his mouth he was unable to communicate any of this to his friends.

Aron and Sosiel pounded the gargoyle beside Runa into a heap of stony dust. Irabeth attempted to smite the penanngalan with divine power, but its blurred appearance prevented her blade from connecting with it. At the same time, the monster appeared to become more robust, as if it had absorbed her divine magic to strengthen itself. Nurah tried to help Jiro free himself by casting a spell on him to cause his body to become covered in grease. Asami shouted to Aron that he should keep the remaining gargoyle away so she could help Jiro. She then ran toward him. Irabeth swung her blade at the penanggalen again and this time struck its flesh, but those closest to her saw it again absorb her magic and grow stronger. Jiro's face had grown pale at the same time, his eyes rolling back and his flesh appearing emaciated. Nurah moved closer to him, casting a spell that removed some of the harm the thing had done him. Asami attempted to dispel the effect that made the monster so difficult to hit, but failed. Bohgong began pulling on the penanggalen's entrails, trying to remove them from Jiro. Irabeth struck it again and it grew stronger. Runa moved closer and cast a spell on Jiro to give him greater endurance so he could better resist it. Then Jiro used the end of his lamp pole, which he still held, to write in the dirt beside him that the creature was susceptible to cold. He wrote in the characters used in Tian-Xia, so only Asami could read it, but she quickly shared the information with her companions. She had only one spell prepared that could do cold damage, so she sent a ray of frost-coated leaves at the thing, but its magical protection caused her spell to fail to find a target. Then Jiro mimed at her and wrote in the dirt that someone should use a spell to cause his body to transform into a gas. Asami had no such spell prepared nor written in her spellbook, though she knew of it. Only by calling on the divine inspiration of Iomedae was she able to recall the spell and cast it on Jiro. But to her horror, both Jiro and the penanggalen became gaseous!

The penanggalen began to float away. Jiro, now free of its grasp, thanked Asami. The rest of the group all began to attack the monster before it could escape. Asami dismissed her spell, causing Jiro and the creature to assume their solid forms, and Jiro summoned a tetsubo of energy. As it attacked, the penanggalen tried to grab at Jiro with her tongue but missed him while his weapon struck her. The monster then released the three missiles she had been holding in her mouth at Asami, all of them striking her unerringly. Then the monster floated away, ascending too high for any of the group to hit her and disappearing from sight before Runa could reload her crossbow.

When the creature had gone, Jiro was able to recall more about it. He realized that this was not a typical penanggalen, but one of a special variety, a penanggalen matriarch that was not an undead creature and was also capable of creating more of its kind. When he explained this to his companions they all shuddered in revulsion at the thought of such a hideous creature on the loose. They could only hope that it would not return to trouble them again.

Next: Part 23, Chapel of Kabriri

[Movie Review] Thor: Ragnarok

Thor: Ragnarok (2017)

Starring: Chris Hemsworth (Thor), Tom Hiddleston (Loki), Mark Ruffalo (Bruce Banner/Hulk), Cate Blanchett (Hela), Anthony Hopkins (Odin), Tessa Thompson (Valkyrie), Jeff Goldblum (Grandmaster), Idris Elba (Heimdall), Karl Urban (Skurge), Taika Waititi (Korg)
Directed by: Taika Waititi

Thor: Ragnarok is the 3rd film starring Thor as its main protagonist, and the 16th film in the Marvel Cinematic Universe. Chronologically it follows Doctor Strange in the sequence of films. It's also the funniest film in a series of films that have all included humor as part of the mix. But Thor: Ragnarok goes all-in for the humor, though it manages not to focus on humor at the expense of everything else. It also manages to include a lot of a much-admired comic series, Planet Hulk, and gives us a nice Marvel Universe version of Norse mythology to boot.

If you've seen all of the trailers Marvel released for this film, you could be forgiven for thinking they'd given away the entire plot. But you would be wrong. As it turns out, many of the scenes in the trailers don't appear in the movie at all. Between the release of the first trailer and the final cut of the film, some creative decisions were made that caused director Taika Waititi to discard some of those scenes. Sometimes it was to maintain the movie's humorous tone. Other times it was to keep the focus on Thor. Waititi is best known for a couple of independent comedy films, What We Do In the Shadows and The Hunt for the Wilderpeople, but he seems perfectly comfortable with taking on a big special-effects extravaganza like this and stepping into the massive entertainment machine that is the Marvel/Disney partnership. I give much respect to Marvel for being willing to try different directors with different backgrounds.

The film takes Thor on a journey of self-discovery. He finds out some things about himself that his father Odin had kept hidden from him until the time was right, as well as things about Odin and the history of Asgard that put a different spin on the place of Asgard as the protector of the Nine Realms. But before Thor makes those discoveries, he has to figure out how to escape the Grandmaster's gladiatorial arena on the planet Sakaar, as well as how to get the Hulk to turn back into Bruce Banner and how to persuade Valkyrie to remember her roots as one of the legendary warriors of Asgard. He also has to decide what to do about Loki, who since the end of Thor: The Dark World has been masquerading as the missing Odin and living a life of self-indulgence.

Although Loki isn't the focus of the story, he has an arc of self-discovery too, as he realizes that his whole purpose has been to get Thor's attention, and Thor no longer cares what Loki does so Loki will have to seek out a different motivation for his actions. Defining this situation involves a couple of very amusing scenes between Thor and Loki, including one in which Thor literally uses Loki as a weapon, throwing him at several foes (this is not a spoiler if you've seen the trailers). This new relationship between the brothers may make Loki a less effective villain for the MCU, but I'm expecting that Loki is going to switch sides, at least temporarily, when confronted by Thanos in the next Avengers film.

The Hulk/Bruce Banner and Valkyrie both have small arcs of their own as well. By the time Thor finds Hulk on Sakaar starring in Grandmaster's games, he hasn't returned to his Banner form for a very long time, and he's started to develop beyond the non-verbal destruction machine of the previous films. The interaction between Thor and the newly verbal Hulk is pretty entertaining. Hulk is like a child in an enormously powerful body, and he's enjoying his success as the champion of the gladiatorial games. Banner's confusion when he finally returns and finds himself on an alien planet is also pretty amusing. Valkyrie is initially just one of Grandmaster's flunkies, bringing him new candidates for the games. But Thor finally convinces her to return to her original role as a defender of Asgard, after which she reveals that while she may not be a goddess, she's definitely a badass. Unfortunately, because this is a movie about Thor, not about Valkyrie, there isn't an opportunity to explore that she is older than Thor and knows a lot of history that he was never told. Hopefully that will be remedied a little in one of the upcoming films, if there's time.

The movie even manages to give a small character arc to the new character Skurge, a minor Asgardian warrior who finds himself seconded by Hela and has to choose whether to go on being a nobody and staying alive, or be willing to fight for something bigger than himself.

One of the things I liked best about Thor: Ragnarok, besides the humor, is the fight scene between Thor and Hulk. They've fought before in The Avengers, but this time Thor's power seems to have ramped up even without his trusty hammer Mjolnir, and he's more than a match for the big green rage machine. It's fun to see him shown as a consummate warrior who's capable of taking down the Hulk.

If I had to complain about anything in this film, it's that the characters and the audience don't get time to grieve for the lost characters. SPOILER ALERT: Odin and the Warriors Three, Thor's comrades-in-arms, all die in this movie, but there's no time to take a moment and feel the sorrow. As soon as Odin's gone, Hela shows up and the main action starts, depriving Thor and Loki of any opportunity to react to Odin's demise. I've read that the Warriors Three were slain to show just how ruthless Hela is, but I would have liked to see Thor learning of their deaths and showing a moment of grief for them. Even at the end of the film, there's no time for grief; as soon as Thor accepts his new role as leader of the Asgardian refugees, he's confronted with another enemy (probably Thanos) and doesn't have time to suggest a moment of silence or some type of ceremony to commemorate all the lives lost.

I also have to complain that although I was delighted by the cameo appearance from Doctor Strange (the same scene that was teased by the mid-credits sequence in Doctor Strange), I would really have liked to have a dialogue scene between Benedict Cumberbatch and Tom Hiddleston. But I guess I'll just have to wait for one of the upcoming Infinity War films to see that (I hope).

Today I discovered a really insightful review of Thor: Ragnarok online, which I would highly recommend to anyone looking for an in-depth examination of the theme of this movie. You can find it here on Wisecrack. While it's subtle about it, Thor: Ragnarok has a lot to say about issues that are very prominent in our current political situation, where certain people have concluded, like Hela, that reverting society back to a prior state will make our country great again.

Despite the film glossing over the death toll, I found it highly entertaining and felt that the humor didn't detract from either the character development or the dramatic tension. It isn't just a loud, funny, mindless blockbuster. It has a point to make, and it manages to still make it even while it pokes fun at itself. Thor: Ragnarok is well worth seeing.

[Movie Review] Doctor Strange

Doctor Strange (2016)

Starring: Benedict Cumberbatch (Stephen Strange), Chiwetel Ejiofor (Mordo), Tilda Swinton (The Ancient One), Benedict Wong (Wong), Mads Mikkesen (Kaecilius), Rachel McAdams (Dr. Christine Palmer), Michael Stuhlbarg (Dr. Nicodemus West), Benjamin Bratt (Jonathan Pangborn)
Directed by: Scott Derrickson

I don't know why I didn't review Doctor Strange after I initially saw it in theaters, but I'm making up for that oversight now, having just re-watched the film (it literally finished 5 minutes ago).

I've read some other reviews of this film that accuse it of being a re-hash of Iron Man. That claim isn't entirely without merit. Both films tell the story of a brilliant but arrogant man who nearly dies, which gives him a new view of life. Each man then finds a way to give himself power and becomes a hero to defend the people. But the paths these two characters take to their heroic destinies are quite different.

Dr. Stephen Strange is a brilliant neurosurgeon who treats medicine as an opportunity to display his brilliance. The movie never shows him interacting with one of his patients. I'm pretty sure he does that as little as possible. Once he's done his work, people don't interest him anymore. He's full of pride, and he refuses to accept patients whose problems aren't treatable or won't bring him acclaim and admiration from his peers. But so much of his sense of personal worth is invested in his ability to perform surgery that when a serious car accident deprives him of the effective use of his hands, he feels like his life is over. He sacrifices every dime he has, every relationship, in an effort to find a medical cure, before a patient he once rejected leads him to a mystical option. Even then he's so arrogantly certain of his knowledge that he almost rejects the option he's worked so hard to find.

Once Strange has finally accepted that there are things beyond his scientific knowledge, he's still determined to pursue only his goal of recovering his ability to perform surgery. It takes a terrible threat to humanity to convince him that there's a another way for him to make a difference. But first he has to learn how to stop being afraid of failure, and be reminded that he is a doctor and he took an oath to do no harm.

I think that last detail is the biggest difference between Doctor Strange and Iron Man. Strange was a doctor before he became Sorcerer Supreme (though he doesn't gain that title during this movie). I feel like the Marvel creative team are going to focus on that idea that Strange is a doctor, trying to heal or act as prevention rather than being a more aggressive protector like Iron Man and the Avengers. What prompts him to accept his new role is a desire to protect, while Tony Stark's initial motivation for becoming Iron Man is to save himself and gain revenge. Tony Stark is also somewhat self-aggrandizing about his heroic role; he reveals to the world that he's Iron Man and seeks out publicity and attention. I suspect that Doctor Strange will keep his role out of the public eye and maintain a low profile. But I suppose we'll have to wait for the next Doctor Strange film to find out.

There are a lot of things to like about Doctor Strange. It doesn't shy away from the psychedelic qualities of the Steve Ditko-illustrated comics it's inspired by. It isn't afraid of its mystical roots; they don't try to come up with a detailed scientific explanation of how magic works. Benedict Cumberbatch exudes his usual charm in the role, though I wish they'd let him speak in his natural accent instead of a forced "generic American" accent, that occasionally weakens a bit when he pushes it too hard. Mads Mikkelsen is his usual brilliant self as the villain Kaecilius, and he's a nice foil for Strange as he believes that what he's doing is for the good of the people of Earth. Chiwetel Ejiofor is also excellent as Mordo, and the film does a good job of setting him up to become a future villain as he is in the comics.

The Ancient One, Strange's teacher and mentor and the Sorcerer Supreme of Earth for the duration of the film, is a problematic character. In the comics the character is a stereotypical Asian mystic, written without sensitivity to ethnicity or history. The Marvel film execs wanted to get away from that, so they decided to make the Ancient One female. I'm a big fan of Tilda Swinton, so I'm naturally disposed to enjoy her in the part. But at the same time, I wish they had kept the character Asian. I would have liked to see Michelle Yeoh as the Ancient One, or perhaps some Asian actress I don't know as well. I'm sure many other people could have done as well as  Swinton. Maybe since they decided to place Kamar-taj in Nepal, they could have chosen an actor from that part of the world. That would have been a nice change from the predominantly white Marvel films.

Despite my misgivings about casting a white actor in the role, Swinton has one of my favorite scenes in the film, when she and Strange carry out a conversation about life and mortality while in astral form. Swinton has always had a fey quality about her, and that works well in the role of an ancient, ageless master sorcerer with the ability to see through time and into other dimensions.

Other things I like about this movie: the way they set up Strange's personality without spending too much time giving the audience exposition; several later call-backs to the introductory scene of Strange and his obsession with music; the magic effects; the fact they actually went to Nepal to film some of the Kamar-taj scenes for versimilitude; the astral form combat between Strange and one of Kaecilius' followers, and Strange's later dismay at having used his magic to take a human life; and the clever way that Strange uses his magical powers to overcome the uber-villain Dormammu without actually fighting him. Oh, and of course the mid-credits scene tying Strange into the larger Marvel cinematic universe by introducing him to Thor. I'm really looking forward to seeing more of Doctor Strange in other Marvel films. I think they've done well by this character.